Perfect for fans of Madeline Miller and Alexandra Bracken, this richly imagined retelling of the Greek myth of Styx, goddess of the underworld river, is the second standalone book in Nikita Gill's #1 New York Times bestselling trilogy.

Beginning a generation before Hekate, Styx sings the story of the goddess of the underworld river that bears her name. The firstborn child of Titans, Styx is revered as the first of her kind— until she is eclipsed and forgotten amid her scores of siblings, the Oceanids and the Potamoi.

Coming of age in a world simmering with paranoia and unspoken fear of Kronos, the volatile and unchecked god-king, Styx learns to conceal the rage ignited by her growing disillusionment with her parents and her vain and unkind siblings. Instead, she finds solace and sisterhood in her cousin, Asteria. Together, they train in the arts of creation and magic. And as they seek to learn their divine purpose and their place within the Titanomachy, they discover both the joy sparked by true love and the fierce resilience birthed from motherhood.

In this fierce and heartrending tale of sisterhood, identity, love, and war, Styx must carve her own path to womanhood— and ultimately, godhood.

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ABOUT THE AUTHOR

Nikita Gill is an Irish Indian poet and New York Times bestselling author who has the attention of over 800,000 Instagram followers worldwide for her work. Her work offers a shift of perspective which centers women in both Greek and Hindu myth as well as folklore. Gill has written two verse novels and seven poetry collections, including Fierce Fairytales, Wild Embers, and Where Hope Comes From which she published with Hachette Books.

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From NOVL Nation

“If you are a lover of Greek mythology retellings, this is a book you will instantly fall in love with.”

– Michelle, @thebookrealmguide

Fan Playlist

Hekate Book Club Guide

How does verse bring this story to life? In what ways does it reflect the Greek mythology it is based upon?
How does the idea, “A story is a powerful thing” (p. 9) remain a theme throughout the novel? Why is storytelling so important?
Charon explains to Hekate that, “All things have a purpose. Not every purpose is good” (p. 38). Why is purpose essential? How does Hekate discover her purpose? Does it change over the course of the story?
Hekate describes her hand, “shaking with rage or sorrow; I no longer knew which one” (p. 39). Why do you think rage and sorrow are so intertwined? In what ways are these differing emotions similar?
Why does Pallas agree to Hekate remaining in the Underworld? Do you think Pallas or Styx feel obligated? Does guilt play a role in their decision?
When Hekate learns her father is in the Underworld, she reflects, “Despite it all, I was a hopeful child” (p. 74). How is there hope in so much darkness? Does Hekate remain hopeful?
Do you agree with Hekate’s observation: “Everyone assumed that to protect children, they must be kept in the dark—no one understood those secrets haunted the same children they were so ardently trying to protect” (p.76). How are secrets beneficial in this story? How are they harmful?
How does the concept of family change throughout the story? While there are many familial ties among the Gods and Goddesses, how does Hekate find her chosen family?
Hekate muses, “Perhaps this was what womanhood was. The dangerous knowledge of who you are and what you could do with that power if pushed” (p.263). Why is the knowledge of who you are “dangerous”? How do the women and Goddesses discover and wield their power throughout Hekate?
The concepts of betrayal and forgiveness are integral to the story. Hekate fights to protect her home, but do you think she forgives the Olympians? Why or why not?
The Olympians fear what they do not know. Why is this detrimental to everyone? Do you see this happening in the world today?
Hekate is a reimagining of Greek mythology, but it’s also the story of a child who is a refugee of war. What kind of effect does this type of narrative have on readers who witness or experience similar situations in their own worlds?